Assam has recently clinched almost 19 GI tags, marking a triumph for its cultural heritage.
From the iconic Axomiya japi to the rhythmic beat of the dhol and the intricate Bodo dokhona, these tags signify more than just geographical origin.
Click Here To Join Our WhatsApp Channel
They're a seal of authenticity, a guarantee that these products are rooted in tradition and carry with them the essence of Assamese culture.
But one might think what's the big deal about GI tags anyway? Picture them as badges of honor, declaring to the world that these items are unique to their place of origin, boasting qualities and reputations that are inseparable from their birthplace.
On March 31, 13 items from the Bodo community joined the GI-tagged league, including the illustrious Bodo Dokhona and the exquisite Bodo Eri Silk.
And let's not forget the Assam Jaapi, the soulful Bihu Dhol, and the masterful Sarthebari Metal Craft, each bearing the mark of its cultural significance.
But amidst this celebration, there's a tinge of sadness. Many within our own state fail to grasp the importance of these cultural treasures.
It's like having a treasure trove right under our noses, yet turning a blind eye to its value.
ALSO READ: Gaurav Gogoi Loves Neither Hindus Nor Muslims: Himanta
India has always been a melting pot of culture and creativity, dating back to ancient times.
With 29 states and 7 Union Territories, each boasting its own unique history and artistic flair, our nation is a tapestry of diverse traditions.
Take, for example, the Majuli masks – intricate works of art that have graced the stage in traditional bhaonas for centuries. Yet, how many of us truly understand their significance in our cultural narrative?
The truth is, we're losing touch with our artistic heritage. How many of us take the time to explore museums, learn traditional art forms, or appreciate the craftsmanship of our ancestors? It's time to stop and smell the cultural roses, to rekindle our connection with the art forms that define us.
The truth is, we Indians are too busy chasing after modern trends that we hardly spare a glance for the treasure trove of our rich, local culture.
We go to Paris to admire the Eifel Tower, buy native American and Aztec articrafts.
If it comes to identifying arts, most would be able to identify western or other South Asian articrafts before our own ones.
But it's not just about appreciation – it's about preservation. Some of these art forms are on the brink of extinction, threatening to erase a vital part of our identity. Government and NGOs can only do so much to safeguard these traditions, but what's missing is awareness – the stories, the evolution, the history behind each masterpiece.
Our art infrastructure pales in comparison to countries like China, with a glaring disparity in museums and art schools. It's time to bridge this gap, to nurture a culture of appreciation for our indigenous art forms.
Let's support our local artisans, educate ourselves and others about our cultural heritage, and demand better recognition for Indian art on the global stage. After all, as Picasso once said, "Action is the fundamental key to success."
(The author is the IGP (STF & Admin), Assam. All views and opinions expressed in the article are the author’s own)
